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采样的艺术:歌词 & 伴奏

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sample 文/编 J2K_aka晓冬

Malcolm X

malcolm-x 当你活在极端主义中,革命的号角已经吹响。 You’re living at a time of extremism, a time of revolution 这时必须做出些改变,但人们却把力量滥用。 a time where there’s got to be a change. People in power have misused it 现在是时候有些变化了,来构建一个更美好的世界。 and now there has to be a change and a

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better world has to be built 但将其建成的唯一途径,却是用极端的方法。 and the only way is going to be built is with extreme methods 我会与众人一起加入其中,不在乎你是什么肤色。 and I for one will join with anyone, don’t care what color you are 只要你想在这个星球上,改变这种悲惨现状。 as long as you want change this miserable condition that exists on this earth. 自上世纪80s ~ 90s,无论是东岸、西海岸、南岸等各类HipHop作品。歌曲伴奏大部分都充斥着更具有年代的声音——采样技术。让经典的歌曲在新的音符中,得到传承和得到升华。 DJ Premier、Pete Rock、Rza、9th wonder、J.Dilla、No.I.D.、Madlib等优秀制作人,对采样就有一种痴迷的执念。 采样同样也给Vinyl Digger一些乐趣——寻找歌曲源头。像是在玩一个迷宫游戏,寻找代达罗斯迷宫的出口。 mos-def 美国黑人民权运动领导人物之一的Malcolm X 这段讲词。也属采样范畴中。除此之外,在Jay-z & Kanye West – Lift off,由Jack king播报阿波罗11号升空倒数录音,也可信手拈来作为采样源。在此感谢老李真二的挖掘。

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采样的艺术系列#29 Lift off/如梦似幻 http://v.youku.com/v_show/id_XNTk1OTU2ODQ0.html j-dilla-madlib Oh No 来自奥克斯纳德的Rapper兼制作人,这段讲词采样出自他手。其兄是与底特律制作教父J.Dilla做过组合Jaylib的——Madlib。他们同时来自Stones Throw厂牌,都是非常优秀的制作人。 这段讲词出现:Mos Def (aka Yasiin Bey) 2009年的录音室专辑The Ecstatic中,这首歌是Track Lists的第一首。J Dilla采样了美国灵魂乐Motown厂牌女歌手Mary Wells六十年代的歌曲制作了一首”History”。Madlib则采样了巴西和印度的民族音乐。这就是采样的魅力,传承经典。   这首歌还采样了”Taana Gardner – Heartbeat http://v.youku.com/v_show/id_XNjQxOTkxNTUy.html (1981 / West End / 7″ vinyl, 12″ vinyl / Single ) ,绝对Boogie神曲。 Funk / Disco / Jazz / Reggae / Folk / R&B 等,都可是采样源。经过制作人的编曲,降调或升调可做出不一样的感觉。一首歌的伴奏的总体基调,基本上把歌曲的情感给框定。 比如欢快的曲调,不会搭配悲伤灰暗的歌词;悲伤的曲调,也不会与愉悦向上的歌词相契合。否则这样会显得不伦不类。 MC 在写词与韵脚的时候,一定会考虑伴奏整体的情感色调。以免弄得牛头不对马嘴,因为都想把音乐做到最好。 而讲词或对话的采样手法也不少见,这样做无形中在框架上加上美丽的”装饰“。使歌手所想表达的歌词含义更加丰满——“画龙点睛”之笔。让歌迷更直接的接收到歌手想表达的信息,从而形成共鸣。 下段话采样自美国新闻工作者Edward R. Murrow在1940年9月10日的一篇关于第二次世界大战的演说: 当烟雾弥漫的街头充斥着狂风暴雨般的枪声 When the streets are full of smoke and the sound of a roaring gun, 他们会对你说 they’ll say to you: 你觉得我们是真正的勇敢还是缺乏想象力? do you think we were really brave or just lacking in imagination? 上帝正在提醒人类,审判日就要来了 Well, they’ve been warned that the testing days are ahead. 过去几个月,我们可能会说 Of the past months, we may say: 我们是为了生存,不是为了谢罪 we’ve live a life, and not an apology 但在未来,我想大部分人会说 And of the future, I think most of them would say: 我们的生活会很困难,但我们必须活下去 we shall live hard, but we shall lived Bumpy Knuckles – B.A.P. (Prod by & Dj Premier) 开头同样也是讲词/发言/采访的采样。这点与Bumpy Knuckles想表达的歌曲意思相契合。也印证了我前面说的“画龙点睛”之笔。 http://v.youku.com/v_show/id_XNDIyNjAxMjA0.html  


采样的艺术:歌词与伴奏。一直以来我们很重视音乐的采样,去忽略了唱词部分。但其实他们起到的作用是相同的,就是让歌曲更加完美。   如果Ice-t拍了”Something from Nothing: The Art of Rap”这部电影是为了告诉人们——歌词押韵是一门艺术。   而我写的这篇文是为了告诉你们——采样也充斥着艺术。

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