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Bar/行 & Verse/段 & Hook/副歌

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  文/大昊   Bar/行: 说唱里的一行词儿。行与行之间有停顿。如:   I have a big pile of cheese/ look at her she’s gonna sneeze/   这就是两”Bar”。   Bar在说唱歌词中的出现频率很高,很多歌手甚至把bar写进了歌名或者专辑名。如 T.I – “56 Barz”、Sean Price 的专辑 Monkey Barz (双关语)。甚至还有个叫16Barz的歌手。   Verse / 段落: Bar组成了verse。一般来讲,一名饶舌歌手的一段verse(歌词)会写16 Bars,18 bars 或者

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20 bars,当然也有很长的(见The Game – “200 Barz”、 “400 Barz”),或者随意的长度,写到哪儿算哪儿。而几段verse(以两三段verse最为常见)组成一首有工整结构的饶舌歌曲。这种形式从Rick Rubin(Beastie Boys / Run DMC)时代就基本上定型了。但也有很多歌手常常每首歌只唱一段verse,或者毫无规律的分段。(MF DOOM)   Hook Chorus/副歌: 在说唱歌曲中,除了 bar 和verse,hook也是非常常见的内容。Hook可以是一段歌词,或者几句话,甚至几个词语,主要目的用来抓住听众的耳朵的,这在说唱音乐中十分常见,经常出现在verse 之间,和歌的开头结尾。Hook 这个概念有时和Chorus 或者Refrain(反复)是等同的,可以大致都翻译为副歌。Hook可以是节奏性的,也可以说旋律性的,并且常带有这首歌曲的主旨。有的时候,说唱歌手会自己说或唱副歌,有时候会邀请别人,有的时候会加上跨界的R&B元素。如Mary J Blige和Nate

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Dogg (RIP)都是在说唱歌曲里唱Hook的好手。   01_eminem_tattoo_big-600x405  

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2条回应:“Bar/行 & Verse/段 & Hook/副歌”

  1. […] Bar组成了verse。一般来讲,一名饶舌歌手的一段verse(歌词)会写16 Bars,18 bars 或者 20 bars,当然也有很长的(见The Game – “200 Barz”、 “400 Barz”),或者随意的长度,写到哪儿算哪儿。而几段verse(以两三段verse最为常见)组成一首有工整结构的饶舌歌曲。这种形式从Rick Rubin(Beastie Boys / Run DMC)时代就基本上定型了。但也有很多歌手常常每首歌只唱一段verse,或者毫无规律的分段。 (MF DOOM) […]

  2. […] Bar组成了verse。一般来讲,一名饶舌歌手的一段verse(歌词)会写16 Bars,18 bars 或者 20 bars,当然也有很长的(见The Game – “200 Barz”、 “400 Barz”),或者随意的长度,写到哪儿算哪儿。而几段verse(以两三段verse最为常见)组成一首有工整结构的饶舌歌曲。这种形式从Rick Rubin(Beastie Boys / Run DMC)时代就基本上定型了。但也有很多歌手常常每首歌只唱一段verse,或者毫无规律的分段。(MF DOOM) […]

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